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Beginning in the 16th century, the golden age of European navigation created a vigorous textile trade, and a breathtaking variety of textile designs subsequently spread across the globe. Trade textiles blended the traditional designs, skills, and tastes of their cultures of origin, with new techniques learned through global exchange, creating beautiful new works that are also historically fascinating.

Interwoven Globe is the first book to analyze these textiles within the larger history of trade and design. Richly illustrated texts explore the interrelationship of textiles, commerce, and taste from the age of discovery to the 19th century, including a detailed discussion of illuminating works.

From the elaborate dyed and painted cotton goods of India to the sumptuous silks of Japan, China, Turkey, and Iran, the paths of influence are traced westward to Europe and the Americas.

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Essential to this exchange was the trade in highly valued natural dyes and dye products, underscoring the influence of global exploration on the aesthetics and production techniques of textiles, and the resulting fashion for the "exotic. Katsuji Wakisaka, a Japanese textile designer, started his career as the first Japanese designer to work for Marimekko, the Finnish textile company, in Surrounded by the beautiful nature of Finland, he developed an aesthetic for organic shapes and bold colors.

These days, Wakisaka starts his day with a walk and takes inspiration from the landscape of his hometown, Kyoto. After returning to his studio, he paints everything from seasonal changes in nature to traditional Japanese patterns. Many of his textile designs for SOUSOU begin as postcards, which serve as initial drafts for his designs, and he mails each one to his wife. He is prolific that he has made more than 10, postcards until now.

Behind-the-scene stories of how he is active in his SOUSOU brand, his interview, and his episodes for his designs are also included.

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This is a title for designers, textile lovers, and those who are interested in Finnish and modern Japanese designs. Even those who do not know Wakisaka will enjoy and be inspired by the book. InHans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture.

Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. Inthe year after their marriage, Hans and Florence Knoll added a third division, Knoll Textiles, which brought textile production in line with a modern sensibility that used color and texture as primary design elements.

In the early years, the company hired leading proponents of modern design as well as young, untried designers to create textile patterns. The division thrived in the late s through s and, in the following decade, adopted a more international outlook as design direction shifted to Europe. In the late s and s, Knoll tapped fashion designers and architects to bolster its brand.

The pioneering use of new materials and a commitment to innovative design have remained Knoll's hallmarks to the present day. With essays by experts, biographies of about eighty designers, and images of textiles, drawings, furniture, and ephemera, Knoll Textiles, is the first comprehensive study devoted to a leading contributor to modern textile design.

Highlighting the individuals and ideas that helped shape Knoll Textiles over the years, this book brings the Knoll brand and the role of textiles in the history of design to the forefront of public attention. First known as a supplier of theatrical textiles to Broadway and beyond, Maharam pioneered the concept of engineered textiles for interior applications in the s.

The studio takes a holistic view of design, embracing a range of disciplines that include architecture and interior design, furniture, fashion, accessories, and graphic and digital means. Founded in by visionary textile designer Armi Ratia and her husband, Viljo, the Marimekko Corporation in Finland not only sparked a revolution in pattern making but also pioneered a new definition of fashion that embraced the entire home environment.

This book presents more than one hundred examples of the exuberant Marimekko fashions and home furnishings that gave the company a definitive presence on the world design stage. This books explains the fundamentals of printed textile design, from design brief through to the completed collection, and introduces the basics of color, drawing, composition, and repeat with a series of step-by-step exercises and examples.

Printed Textile Design helps to demystify the design process and provides an invaluable guide to the study and practice of textile design.

The book includes case studies of designers working in both the fashion and interiors sectors. It covers hand and traditional print techniques and the latest digital print technologies, with specially commissioned photographs of the processes.

All aspects of textile design are covered, from sustainability to manufacturing and marketing the finished product. This book surveys the astonishing array of textiles made, worn, used and displayed throughout the Islamic world, from the glorious fabrics of the past to those still being produced today.

Region-by-region coverage offers concise details of local history, particular textile traditions, materials, dyes, special forms of decoration and information on current practice. Also explored is the fascinating fusion promoted by the merchants, missionaries, migrants and conquerors who travelled the world promulgating Islam and trading textiles widely. The variety on display is stunning, from hemp to sumptuous velvets and silks; from quilting, felting, beading and knitting to block-printing, tie-dyeing and hand-weaving.

Specially taken colour photographs, portraits of weavers and dyers in action, and rare historical material complete a remarkable visual panorama.

Together with a glossary, bibliography and guide to textile collections around the world, this comprehensive survey provides a wealth of information and will be invaluable to anyone interested in the rich art of textiles, costume or craft. There are few aspects of our lives in which fabrics do not play a part and the author reminds us powerfully of the significance of fabrics throughout human history.

Her expertise is enriched by her own hands-on experience: As a curator she has studied thousands of textiles.

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Here are topics such as the universality of textiles in human language and experience; their social role in bonding families and communities; the importance of textiles in world trade; their spiritual and sacred aspects; and the work of artists using textiles as their medium. A dazzling array of illustrations includes paintings and photographs of both historic and contemporary textiles and a broad collection of textiles being created, worn, and lived with.

Technologized textiles and sustainable fabrics are among the most innovative designed today, and together they are driving the rest of the industry dramatically forward. Many designers are now integrating hi-tech fabrics, such as protective and impact-resistant textiles, or cellulose fabrics, with groundbreaking results.

Embracing new processes such as biomimicry, they bridge the gap between art, design, technology, and sustainability more than any other material.

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  • 20 Books on Textile Design

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